Concrete Future
Jacobsen Construction began running out of room in their corporate headquarters in West Valley City over five years ago. People were in triple-wide trailers in the parking lot, while others, President and CEO Gary Ellis said, were in the building, one colloquially known as “the maze” because of its labyrinthine offices and areas.
It was at that point that Ellis and former CEO Doug Welling said, “It’s time.”
The time, specifically, to move into a space befitting one of the biggest contractors in Utah. “We want to be in the talk as the best contractor around, and we felt like [a new headquarters] would be important for our future,” said Ellis. “Where we could plant a flag here for the next hundred years.”
Settling on Location and Design
With buildings and development expanding westward, the Jacobsen building committee felt that the opportunity to be a part of that growth was too good to pass up. Now, their headquarters resides in Salt Lake City just west of the airport in the International Center.
Inspiration for the Jacobsen Corporate Office came from the Life Sciences Building at Utah State University, another Jacobsen/VCBO Architecture collaboration. Burke mentioned the metal paneling, extensive glazing, and GFRC on the exterior were choices that came about from UC&D’s 2019 Most Outstanding Higher Education Project.
Payne was complimentary of Burke and the team’s effort to bring design choices to life—specifically regarding the constructibility of the GFRC façade.
“They found this way to look at the material and make it other-worldly,” he said, pointing out the process of treating the GFRC like brick—bringing about the lovely cream colors that blend so well with the dark metal panelling and concrete touches on the exterior.
The themes present in the building center around light and collaboration. The three levels, according to Payne, “was a better way to communicate [than single-story]. You can get everywhere [in the building] very quickly. The whole idea of the central stair […] was a key to collaboration.”
Efficiency and economy in both cost of the building and in movement were a great starting point to meet the company’s goals for a collaborative space.
Meeting the Scope
In internal documents, the company looked to construct a building that effectively and invitingly portrays the Jacobson experience and the Jacobson culture to both employees and visitors.
That goal is visible immediately upon entry, with the company’s expansive lobby projecting not just depth of expertise in the concrete forms throughout the lobby. Wooden risers and steel beams support the staircase and provide more visual nods to the contractors expertise as visitors and employees climb to the second and third floors.
“Everything is compartmentalized,” Burke said. He and the other workers who shift between field and office can chat with their fellow project managers and project executives. Accounting, HR, IT, and estimating (with their unique, “War Room” table and less unique but still combative ping-pong table) have their own dedicated spaces that accommodate both present and future needs.
The space currently holds the 120 employees who regularly pop into the office, with Ellis mentioning that the space has plenty of room for growth. Training rooms downstairs can fit up to 200 people—craft workers for a safety training or the whole office for a company-wide meeting—and it isn’t just for Jacobsen employees, either.
“We want clients to come and use our space,” said Ellis. Whether that is architects coming in for an off-site meeting, engineers looking to strategize for the future, or even groups like ULI, who have used the space already, Ellis said, “We want the industry to come in.”
Showstopper
What they will see is a testament to the firm’s quality, especially in concrete. Burke suggested putting reveals in the forms to help keep the visual consistency of the concrete. It’s just one part of the “showpiece” of Jacobsen’s self-performed concrete work.
“Jacobsen made this their headquarters for life,” said Payne as he spoke of the bones of the building. Eighteen inches was their prescribed thickness for the concrete walls, according to those interviewed, but that would only be decided after Burke and others watched all their work potentially dashed in the 2020 earthquake.
“Watching those walls flap around in the air was unnerving at best,” said Burke with a grimacing smile. “We had poured and stripped our first lift of [walls] when the earthquake hit. Watching them sway four to six inches” had him and others fearful that all that work would be for naught.
But the structure stood firm, and 15-foot lift after 15-foot lift after 15-foot lift got tied into the structure to bring it up to its three-story height: 2,550 cubic yards of concrete. A mark of pride for Burke is the quantity of 90-degree angles on the various concrete forms, but the showpiece of all of that concrete is the chosen angle for the exterior that faces the lake.
It’s 30-degrees, the corner rising from ground level up three stories—an impressive feat. “It’s a sharp corner,” said Burke, marveling at the work. “It would split something up like a melon.”
The quality in concrete construction was a high point for Burke, but his favorite feature is the ground-level boardroom. While concrete is also prominent there, the views through the exterior glazing, dimmable interior glazing, the wooden panelling on the ceiling, and the art present there make it a comfortable space to make the big decisions.
Interior Charm
“There are objects, and then there is atmosphere,” said Payne of that main boardroom’s massive table. It’s a favorite part of the building for him. Payne explained that he drew inspiration from a Viking ship, an ode to Jacobsen’s Danish history. With the scenic lake nearby, “[the table] was meant to be this ship that is going toward the lake—like it’s seaworthy.” The atmosphere that brings together the space is simple grandeur.
The interior maintains the company’s goal of vibrancy. No boring board rooms or stuffy offices here, but 18 collaboration spaces join the various individual offices that nestle on the exterior walls. Each office has enough glazing to make that visual theme pop.
Sloped ceilings near the glazing shower the entire office area in sunlight. Jacobsen and VCBO also incorporated “neighborhood” concepts outside of the offices and work areas for the informal meetings, the all-important “meeting after.” These spaces have construction’s version of coffee table books, Walker’s Building Estimator’s Reference Book, but, more importantly, they have the the subtle nods to Jacobsen’s roots as a construction firm.
“It’s almost like a whisper,” said Amy Christensen, Executive Vice President, Corporate Communications & Brand Marketing for Jacobsen. “You want the whisper between the utility and sense of meaning.”
And those whispers are heard throughout the space. Whether via the self-performed concrete, the steel beams that double as bookcases in the neighborhoods, or the wood paneling on the ceilings, the execution perfectly straddles the balance of utility and aesthetics.
Employees, Tenants, Owners
As an employee-owned company, one accountant came up with a type of suggestion board “Wish List” with many different ideas to help the building committee. Some of the suggestions were comical, like the pinball machine, while others were universally praised and incorporated, like “The Grand America” bathroom concept, where stalls and bathrooms would be totally private and no one needed to check out the shoes of the person the next stall over.
But other choices had folks drawing battle lines. Some wanted open office, others felt like their work would deteriorate in noisy conditions. The solution, according to Ellis, was, “Turning to department heads to figure out what works best for them.” And figure it out they did by allowing each to find the perfect balance. “Accounting services are a more social group and wanted the open concept […] [while] virtual design and construction wanted the ability to shut the door.”
With lots of interior glazing to complement the daylighting shining through the 83 windows, transparency, openness, and the vibrancy of a bustling office are on full display.
Speaking of displays, the “J-Hub” helps to blend office and field work on a massive touch-screen near the company’s lovely self-service café. It’s part internal communication tool, part recruiting tool, full unifier of purpose. “We use it for all kinds of things,” said Christensen. She was excited about how that sentiment in the J-Hub reverberated throughout the building.
Artistic Reminders
Other, more traditional art pieces adorn the building, too. Jacobsen Construction chose four individual art installations and two photo galleries to add additional energy to the interior, with help from design and branding professionals at Struck.
Some serve as a rendition of work the Jacobsen does, with two pieces using reclaimed wood from the company warehouse and yard. Others serve as more abstract visions of the company’s mission and connectivity to the greater community.
“We took a hard look at ourself and asked, ‘How do we translate a legacy of 100 years, where we want to go in the future, and have it resonate with employee ownership culture?’” said Christensen.
That translation comes in every piece, specifically via the photo galleries. One, “Hard Work” celebrates the many hands that have built the company up for nearly a century—that’s the “how.”
Ellis gestured toward the other, “Built for Life,” during the interview.
“This is ‘why’ we do it,” he said.
The gallery is a reminder of the importance of these buildings for the people who inhabit them: expecting mothers at the hospital, worshipers at a church, students at school, employees at an office. It’s a lesson that wasn’t lost on Burke as he led the building efforts during construction.
“Every building we build has its challenges. As contractors, we walk away and say, ‘Oh, I made it through that one.’” He said. “But being able to enjoy the finished product […] has been my favorite part of this project.”
Does he get a lot of high fives? “Yes,” Burke smiled. “I get a lot of people telling me ‘You did a good job. It’s a beautiful building.’ A lot of people are really happy about it and happy about their new home.”
Legacy and Future
The weight isn’t lost on Payne either, who spoke to the work done by the entire building committee as they moved the project forward.
“Best voicemail I ever got was from Dennis Cigana,” he said of one of his favorite memories of the entire project. “I’ve never heard someone say [what he said] about a building. He told me, ‘You got us everything we wanted out of the building.’ He and [Jacobsen Construction] were such a joy to work with.”
At the ribbon-cutting, Cigana, Chief Development Officer for Jacobsen, stood next to Ted Jacobsen, former owner of the company. Ellis recalled the conversation with Jacobsen saying, “What have you done?” with a wry smile.
The comment may have been in jest, but he heard Cigana say, “Ted, this is what you have done.” He credited Jacobsen for charting the company toward its present course.
So where is Jacobsen Construction now? It’s one of the top general contractors in the state, now with a building that fits the brand of which Christensen spoke so highly. It’s a building that represents the strength and stability of the company.
“We’re not going anywhere,” concluded Ellis. “We’re here to stay and to do great things.”
Jacobsen Construction Company Headquarters
Location: 5181 W Amelia Earhart Dr, Salt Lake City, UT 84116
Square Feet: 58,836 SF
Design Team
Architect: VCBO Architecture
Civil: Meridian Engineering
Electrical: Envision Engineering
Mechanical: Colvin Engineering
Structural: Reaveley Engineers
Geotech: GSH Geotechnical, Inc.
Landscape: ArcSitio Design
Artwork: Struck
Construction Team
General Contractor: Jacobsen Construction
Concrete: Jacobsen Construction/Gene Peterson
Plumbing/HVAC: CCI Mechanical
Electrical: Hunt Electric
GFRC: Allen’s Masonry
Framing/Drywall: Pete King Construction
Painting: Pete King Commercial
Acoustics: K&L Acoustics
Millwork: Boswell Wasatch
Carpet: JCC Flooring Division
Polished Concrete Floor: Stone Touch
Roofing: Utah Tile and Roofing
Glass/Curtain Wall: Steel Encounters
Interior Glazing: Midwest D-Vision Solutions
FF&E: Midwest Commercial Interiors
Waterproofing: Guaranteed Waterproofing
Steel Fabrication/Erection: JT Steel
Site Utilities/Asphalt: Morgan Asphalt

When Lehi-based Reef Capital Partners (Reef) initially announced plans in 2018 to build a sprawling, estimated $2 billion mega-resort with a championship-caliber golf course on 600 acres covering parts of Ivins and Santa Clara—small towns with just over 15,000 combined residents at the time—it was difficult to fathom what a project of that magnitude might look like. Fast forward seven years, and Black Desert Resort is indeed a shining oasis amidst Southern Utah's famed red rock cliffs, sitting atop an ancient lava field, with buildings strategically carved into the land to produce a resort unlike anything else. "This is the biggest project we've ever done—we feel really good where we are," said Brett Boren, President of Real Estate for Reef, acknowledging the general completion of the $290 million, 806,000-SF resort center, along with significant ongoing work—including a 1,298-stall parking garage, condominiums, and a private water park. As of September, all aspects of the main resort center were open and fully complete, with the hotel celebrating its first official year in business after partially opening in September 2024 as it hosted the inaugural PGA Black Desert Championship October 10-13. The second installment of the tournament—now dubbed the Bank of Utah Championship—is slated for October 23-26, with a third tournament signed for 2026.

In 2005, Calder Richards Consulting Engineers formed after the merger of two smaller structural consulting firms who, interestingly enough, both started in 1986. Calder Richards has provided a steady structural support for Utah’s built environment ever since. As the firm celebrates its 20th anniversary, UC+D spoke with Managing Principals Shaun Packer and Nolan Balls to look back over the company’s history and celebrate what has helped their firm stand out to deliver solid projects in Utah and beyond. Their responses were edited for clarity and brevity. UC+D: What have been some catalytic moments for Calder Richards since that initial merger? SP: Winning the Talking Stick Resort in Scottsdale, Arizona is the first one. The big reason for the merger between Richards Consulting Group and Calder Consulting was to build a large enough company to go after bigger projects like that.” NB: That was my first project when I was hired straight out of college. We helped design the 17-story hotel and casino, a conference center, as well as parking structures, a central mechanical building, and a pool building. Talking Stick helped get us through the downturn a few years later. UC+D: What have been your key market sectors you all have targeted over the last 20 years? NB: We were breaking into K-12 along the Wasatch Front soon after the Talking Stick Resort and it’s been our bread and butter since then. SP: Absolutely, but I credit our firm for always adapting to the current environment. We’ve been fortunate to do so much K-12, but we used to do a lot of office work, and now we are working on conversions like the Ebay Headquarters to CTE/Innovation Center for Canyons School District as the market has shifted away from commercial office. UC+D: Schools have certainly evolved over the last 20 years, how has your work as structural engineers evolved? SP: We are seeing more creative design on the architectural side, certainly. We see many more two-story designs; more windows and daylighting. But we’re utilizing more powerful tools and continually building our understanding of the structural materials that are in use more than ever—tilt-up concrete, steel columns and beams, especially—to be the architect’s trusted partner. NB: Schools have definitely changed, and we’ve had better experience in helping projects move forward successfully when we are involved earlier in the design process. As we got involved early on in West High School’s schematic design, we were able to provide structural solutions and options to accommodate the architects’ design intent. UC+D: How has company growth changed Calder Richards? SP: It’s certainly changed the number of people in our office. We started with around 10 people when we merged, and today we have 27. But we often say that we don’t want to grow just to grow—we want to grow sustainably. We don’t lay people off when works slows down, and we have an expectation that sometimes there will be overtime work, and other times you may be waiting for our next project to begin.

Nested in the middle of the University of Utah (U of U) campus sits the aptly-named Impact & Prosperity Epicenter, the second living learning community (LLC) project designed on campus by Los Angeles-based Yazdani Studio of CannonDesign. After nearly a decade since their first LLC project, the award-winning Lassonde Studios (UC+D’s 2016 Most Outstanding Public Building over $10 million), Mehrdad Yazdani, the design firm’s Principal and Studio Director, said their work on a sequel was an exciting prospect for the firm, and enlisted Salt Lake-based MHTN Architects and Okland Construction to serve as the respective local architect and general contractor. Today, the Epicenter serves as a striking piece of architecture and construction, one whose curvilinear shape asks users and visitors plenty of questions. But moving from idea to execution has been a work in progress. One query from Yazdani stood out as it relates to students and the built environment, and helped begin the journey to create the Epicenter: “How does your living environment as a student impact your success as a student and as a changemaker?” A Project for an Evolving Campus Katie Macc, CEO of the Sorenson Impact Institute, said LLCs like the Epicenter and Lassonde Studios next door have been massive steps forward in advancing entrepreneurship and social impact. But both play a major role in creating “college town magic”—a phrase coined by University President Taylor Randall that invokes a vibrant campus where students can find community and have one-of-a-kind experiences. With more on-campus student housing in the works, the state’s flagship university is hoping to shed the “commuter school” label and deliver a level of desirability that matches the resources students commit to higher education. “There is some soul searching going on across university campuses,” said Macc of the challenge at hand. “We have to be convincing that going to college matters.” She said overall university enrollments across the nation are decreasing as students grapple with tuition costs, COVID and its isolating aftershocks, and a different perspective on higher education. Universities are no longer a place where students come to learn what they couldn’t learn elsewhere—remote learning and the internet have opened a fissure in that idea that will never close. Instead of that educational transaction, being at a university must include building community and creating in-person experiences only available on campus. Macc said that the Epicenter helps steer the campus experience toward the future, with design goals to create a base of operations for two changemaking organizations and a living and learning home for 778 students. The three-story commercial portion of the building, known as the “Changemaker Pavilion”, includes office space for The Center for Business, Health, and Prosperity (second floor) and the Sorenson Impact Institute (third floor). While each organization has a different focus, both are firmly invested in helping students access and create the resources needed to change the world. Each entity works hand-in-hand as owners of the Epicenter to host events and “create a full spectrum of ways for students to get involved,” said Chad Salvadore, Chief Financial Officer for the Sorenson Impact Institute. “We’re dialing in the programming to energize the student body,” said Salvadore of the work done at the Epicenter. With over 60 majors represented among the 778 students who live there, he said that the diversity of students is less a reflection of their chosen major and more a desire to reside in a space built for students to work their entrepreneurial muscles. “Living here is a mindset—you can engage across many different paths you choose.”

Over the course of its 40-year history in Utah, WSP's Salt Lake office—originally founded as Parsons Brinckerhoff in 1985—has morphed from primarily a transportation design firm to one that successfully operates in multiple civil engineering markets. The results of WSP's transformation the past decade into a more diverse outfit speak for themselves, with the 128-person Salt Lake office (with locations in Cottonwood Heights and South Jordan) posting three consecutive years of revenues over $50 million, including a record $70.1 million in 2023, and a robust $59.9 million in 2024—good for the No. 2 ranking in UC+D's 2025 Top Utah Engineering Firms rankings.

Lucio Gallegos vividly remembers the workforce development meetings he attended during his time at Ogden-Weber Tech. These career and technical education (CTE) discussions consistently focused on one thing: young people were not entering construction, and the industry needed a new approach to attract them. Gallegos recalled one member of the workforce development team, a training director with a prominent general contractor, saying, “We have been trying this for over 10 years, screw it, we’re just gonna hire them.” The Long Road Those conversations occurred nearly 10 years ago, and workforce development concerns continue to permeate the industry. The National Center for Construction Education & Research estimates that 41% of the construction workforce will retire by 2031, leading to potential gaps in skill and safety and decreases in productivity and project quality. While stakeholders have aligned on the overall goal of providing students a foundation for future success through career development, the means to achieve the ends were seemingly at odds. High schools, trade schools, colleges, and private industry took different paths to achieve their goals, with some moving in opposite directions. “I’m gonna be honest with you,” Gallegos recalled one school administrator saying, “If I promote what you’re telling me to get them over to the tech college, I lose head count. And then I lose teachers. I can’t have a school without teachers.” Jobs that took away student learning experiences, according to federal guidelines and child labor laws, made the idea a non-starter. However, after years of lobbying the Utah Legislature for a compromise between industry and education, H.B. 055, passed in 2023, provided a catalytic change in how younger people can engage with construction and other industries. High school students could participate if they were involved in a school-sponsored work experience and career exploration program. Private industry finally had the compromise it wanted. It was time to act. Big-D Charts New Path Gallegos, now the Workforce Development Manager from Big-D, joined the company in 2023 with the express purpose of creating a program that fit within the new guidelines. Gallegos said he sees career development through the lens of the immigrant experience, one he knows personally as a Mexican immigrant with a father who worked in commercial construction. “I was 9 years old and busting pins out of concrete forms with a hammer that was as big as I was,” he laughed. “I’ve got the cliché immigrant story.” That story has a theme familiar to many immigrant families, he said, one where parents say, “I want my kids not to have to work as hard as I do. I want them in school.” Add to that, it’s a law—children must attend school. Gallegos was unfazed by those obstacles. As he began planning how Big-D’s internship program would operate, he knew that engagement had to start at the elementary school level and build on personal relationships between private industry, school administrators, students, and their families to succeed. “We want to be the solution, not the obstacle to get into this industry,” said Gallegos. So Big-D removed the barriers. Students can still attend school, work towards graduation, and be available in the afternoon for sports, extracurricular activities, and the high school experience. But working was another significant part of the immigrant experience, Gallegos said, and internships needed to be paid to alleviate the family concerns. “We asked what we would pay somebody fresh out of high school who worked at Big-D,” Gallegos said. Interns have earned those same wages ever since.

On January 2, 1957, Gene Fullmer, a scrappy, underdog fighter from West Jordan stunned the boxing world with a 15-round unanimous decision over the legendary Sugar Ray Robinson at New York’s fabled Madison Square Garden. Fullmer captured the world middleweight championship and established himself as one of the best pound-for-pound boxers during the late 50s and early 60s. Since then, the Fullmer name has been synonymous with boxing in Utah, with brothers Gene, Jay, and Don establishing the Fullmer Brothers Boxing Gym in 1978, and offering free boxing instruction and life mentoring to thousands of youths—carrying on a tradition they learned from their trainer, Marv Jenson. Their legacy of community giving will live on in the new Fullmer Legacy Center in South Jordan, a 16,500-SF facility that will serve as a permanent home to the boxing gym—after years of bouncing around to various temporary facilities—along with a museum, snack bar, and gift shop. “The Fullmers are the first family of boxing in the state of Utah—that’s well understood,” said Dave Butterfield, a founding board member of the Fullmer Legacy Foundation. Butterfield served as Chairman of the Board from June 2016 to early 2025 and was influential in helping raise money—nearly $6 million via donations to date, which includes $2 million from the Utah Legislature. Project Driven by Vision to Find a Permanent Home for Fullmer Brothers Gym It was Jay Fullmer who led the charge to teach boxing in the community. By 1978, the Fullmer Brothers Boxing Gym had formally opened at the Butterfield farm chicken coop in South Jordan, recalled Larry Fullmer, Don’s oldest son and the man who spearheaded the efforts for the Fullmer Legacy Center. From there, Larry said the facility moved to Riverton Elementary, an old church house in West Jordan, a sugar factory, a former fire station, and the Salt Lake County Equestrian Park in South Jordan, where it had resided since 2011. When they got word that Salt Lake County planned to transfer ownership of the park to Utah State University, Fullmer knew they needed to find a long-term home for the boxing gym. Fullmer met with Butterfield and Robert Behunin—who at the time was a Vice President with Utah State University—in 2016 and told them he just wanted a “tin shed of our own” for boxing. Behunin countered by saying, “If you want people to donate money, you need something better than a tin shed!” They quickly formed the Fullmer Legacy Foundation (FLF), and by 2018, the wheels were in motion on a building. Doc Murdock, a long-time trainer at the gym, connected Larry with his former roommate at Brigham Young University, Vern Latham, who is a Principal at Salt Lake-based VCBO Architecture. VCBO offered pro-bono services initially while helping FLF put together an RFP, while North Salt-based Gramoll Construction provided value engineering and other services in an effort to get the project launched. Larry expressed sheer gratitude for the contributions of both firms in helping make the project a reality, especially for many generous donations from various foundations and individuals. “[VCBO] believed in us early on and did our first phase of planning at no charge—they have been amazing and so professional to work with,” said Larry. “Gramoll helped us get the budget done as tight as it could be. This project had the absolute tightest budget. We met weekly with architects and the general contractor to see the progress—I’ve never seen such an amazing process. Construction started in November ’23, and every time I would come to the jobsite in the first six months, I’d get emotional.” “We leaned on our relationships with contractors for flooring, ceiling, tiles, donated furniture and got deep discounts and a lot of in-kind donations,” said Phil Haderlie, Principal-in-Charge for VCBO. “To me, the story of this project is the grassroots effort of people seeing the value—this is something that came from their heart. It will have a long-lasting impact on the community.”

The first season is in the books for the Salt Lake Bees in its spectacular new home—the Ballpark at America First Square, the exciting new heart of Downtown Daybreak and certainly one of the premier Triple-A stadiums in the country. "It's a really cool stadium—the field looks so good!" gushed Eric Barton, Project Director for Salt Lake-based Okland Construction, while surveying the spacious 280,000 SF, 6,500-seat (8,000 capacity) ballpark. Barton said his team faced an extremely difficult construction schedule with the mandate the project had to be sufficiently ready for Opening Day 2025 on April 8, less than 18 months after the formal October 20, 2023, groundbreaking. Barton said Okland knew it was going to be a grind, with long hours and tight windows to get various milestones accomplished. "When we bid this to our trade partners, we had them bid it with the expectation of it being six days a week," he said. "We want not only your best guys, but you have to be adaptable to the plan. It was gangbusters from the start.” Up to 300 workers were onsite during peak construction activity, requiring meticulous coordination throughout. Okland even brought in Fred Strasser, a legendary project director who came out of retirement to shepherd the project through. "Fred is the genius behind getting this whole thing done," said Barton. The project was designed by Salt Lake-based HOK, who worked closely with the owner, Sandy-based Larry H. Miller Real Estate (LHMRE) and Miller Sports + Entertainment (MSE) to bring about a project that would add even more buzz to its wildly popular, 4,000-acre master planned Daybreak development in South Jordan, making it a true entertainment destination. The design weaves together best-in-class baseball experiences with year-round public amenities, including a recently opened Megaplex theater, a performing arts center, a large amphitheater, along with retail, restaurants, and apartments, with buildout continuing through 2027. Walking paths and open spaces create natural connections between The Ballpark and the surrounding neighborhood, making the area an iconic community asset and a true sports and entertainment district. Downtown Daybreak is slated to host more than 200 annual events—including the Bees’ 75-game regular season. Supporting this entertainment destination, the venue’s prominent location just off the Mountain View Corridor freeway makes it highly visible to passing traffic while providing easy access. The stadium is also connected to multiple transportation options, easily reached by walking, biking or light rail across the Wasatch Front, and by car from the new freeway corridor. The Ballpark site drops 20 feet from the loading dock to the plaza, managed through terraced spaces that echo the region’s mining heritage. Though the slope stays gentle at under 5%, carefully placed stairs and planters make walking comfortable while honoring the industrial past. The center field main entrance connects to light rail, while a formal plaza at home plate serves as a second entrance, primarily for VIP access. The street design follows Daybreak’s established standards for lighting and tree spacing. Bike racks at the light rail station and plaza make cycling to games convenient. Utah’s Landscape Shapes Design The Wasatch Mountains, visible from every angle of the ballpark, directly influenced the ballpark's design. Throughout the venue, carefully planned viewpoints frame these mountain vistas. The structure resembles this mountainous setting in its form, transitioning from solid brick and concrete at its base to lighter materials—metal and expansive glass—as it ascends. Working with Kansas City-based architectural metal fabricator Zahner, HOK and MSE created a distinctive facade using perforated metal panels that suggest Utah mountain peak silhouettes from Ben Lomond Peak in Weber County to Mt. Nebo, the southernmost and highest mountain in the Wasatch Range of Utah. These panels transform into a glowing display at night, serving as a lantern on The Ballpark’s ‘front porch’ and welcoming visitors. This connection to Utah’s landscape flows throughout the site. Angular planters guide visitors along pathways, while public spaces are arranged in terraces that echo the mountainside. The copper colors and stepped surfaces of the nearby Kennecott Mine inspired the ballpark’s materials and layout. Inside, the decor features warm copper, gold and honey tones, with textured materials that blend the natural landscape with the Salt Lake Bees’ team colors.


























