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Quarter Time

The completion of Phase I of The West Quarter opens an exciting new chapter in downtown Salt Lake's hospitality, entertainment, and lifestyle markets.
By Brad Fullmer

After a lengthy process spanning seven-plus years, Phase I of The West Quarter project is in the books, offering scintillating new options for downtown Salt Lake patrons in the heart of the City's west side entertainment district and transforming the 6.5-acre Block 67 parcel—kitty corner southeast to the iconic Delta Center (welcome back)—into a world-class, mixed-use development.

"It sets the tone for what's to come," said Ryan Ritchie, Owner of Salt Lake-based The Ritchie Group (TRG), developer and co-owner of West Quarter along with Layton-based Garn Development. “We've had a vision for seven years—other than City Creek [Center], I think this is the most ambitious [mixed-use] project ever taken on in Salt Lake."

Indeed, The West Quarter is envisioned as a revolutionary, game-changing mixed-use project that will rival similar developments around NBA arenas in other metropolitan cities, like L.A. Live, the premier sports and entertainment district surrounding Crypto.com Arena in Los Angeles, the Pearl District in Portland, and the Deer District in Milwaukee, a 30-acre neighborhood around Fiserv Forum flush with up-scale businesses, bars and restaurants. 

"The Ritchie Group always envisioned this project as being similar to L.A. Live or the [Deer District]," said Emir Tursic, Principal for Salt Lake-based HKS, design architect on the dual-branded hotel portion of the project. "This used to be the warehouse district, and we tried to acknowledge that in our design. That's why we have large, oversized windows, the use of brick, but we also inserted a curtain wall in the west corner, which symbolizes the transformation of this area [...] to more of a lifestyle and entertainment district. The idea is to create a district that will provide amenities to support the Delta Center and [300+ annual] events, not just Jazz games."  

Phase I of The West Quarter includes a pair of dynamic, 11-story high-rise buildings situated around a spacious mid-block plaza and the east-to-west Quarter Row walkway, which will gradually come to life over Phases II and III over the next five-plus years, depending on market conditions. 

The first building houses the first-ever Le Meridien for Marriott in Utah (and 26th in 23 U.S. cities)—a swanky, upscale hotel with inspiring interior finishes, functionality, and charm, along with the hotel magnate's 100th Element Hotel, which caters to extended-stay clients and offers its own unique style and decor. 
Building two is The Charles, a luxury residential tower with 240 units, offering sleek, high-end amenities—highlighted by a rooftop pool, hot tub and clubhouse, expansive workout room with an exterior component, game room areas, gourmet kitchen and more.

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An innovative, multi-material curtain wall system—highlighted with copious amounts of glass—makes a bold statement in the dual-branded hotel Le Meredien and Element, a welcome addition to the Salt Lake hospitality market. Hotel spaces are modern and sleek, with optimum functionality. 

Owner's Patience Rewarded

The Ritchie Group is a second-generation developer based in Salt Lake City, founded as Ritchie Enterprises in 1973 by James Ritchie and rebranded in 2005 by his sons Paul and Ryan. TRG's primary focus is on multi-family, self-storage, industrial, and hospitality development projects. With a development queue of $2 billion-plus, including 3,500+ MF units, 400+ keys of hospitality, and 4.4M SF of industrial warehouse at various stages of design and development.


Ryan Ritchie said the firm pivoted post-recession to multi-family development and other "income asset" properties, with a focus on offering higher-end, resort-style amenities on its projects. About a decade ago, Ritchie said the firm "was looking for a downtown site for a mixed-use project and stumbled into Block 67", a 6.5-acre parcel that housed Royal Wood Plaza and a U.S. Post Office for years, along with being part of Salt Lake's storied Japantown, an area that lost much of history and allure with the construction of the Salt Palace Convention Center in the mid-to-late 60s. 


A primary goal of West Quarter was to create a project that played off the Delta Center, with a mid-block road and walkway. "Our blocks are so huge, they aren't intimate," said Ritchie. "Other than Regent Street, maybe Pierpont (Ave.), very few streets break the block up. We wanted to break the block down in scalable chunks and make it walkable and connected," referencing Portland's Pearl District. "We want to make the connection to downtown [Central Business District] with the West [CBD] and be this key connecting block. You have to activate it; it has to be the ultimate live/work/play destination." 


The relationship between the developers and Salt Lake City and its government officials was a real boon to the project over the course of its entirety, with Salt Lake City Corp. contributing money towards the cost of the two-level underground parking structure.


"It's a very unique project and speaks to why we've required some help from the public side," said Ritchie. "Projects like this can't come to life on its own. It was critical for the City to buy off and be a partner. I'm really happy with the first two projects, but I look at this as a steppingstone to where we want to end up." 

Ritchie also talked about the timing of Phase I coming to the downtown market and coinciding with a slew of high-quality, sexy high-rise projects—including 95 State at City Creek, Hyatt Regency Hotel, Astra Tower, Liberty Sky and others—each contributing immeasurably to boosting Salt Lake City's profile as a true world-class metropolitan destination. 


"I know it's cliche, but a rising tide lifts all boats," he said. "I'm excited to get to a point where we see more like-minded projects."


Twice as Nice

While the dual-branded hotel is unique to the Utah/Salt Lake market, Tursic said "they are very common in other markets; HKS has designed many of them with several different brands across the nation. They are becoming increasingly popular because of their programmatic efficiencies that share the back of house, and in some cases amenity areas, while providing a variety of guestroom offerings."


Architecturally, the hotel is a contemporary interpretation of a traditional warehouse architectural style reflecting the history of the Gateway district and its vernacular architecture.  Brick references the district’s warehouse history, and metal panel references industrial uses. The building massing is articulated with two-story punched openings divided by muntins that capture the essence of the warehouse typology. Areas of natural wood are employed to bring warmth to the more human-scaled spaces, all while balancing the demands of well-established international hotel brands.


While HKS was responsible for the exterior architectural design and general building planning, HBA Studio of Los Angeles focused on the interior design of all guestroom and hotel public areas. HKS and HBA Studio worked collaboratively to plan those spaces. 


In addition, Beecher Walker Architects (BWA) of Salt Lake served as Architect of Record and was present at all design meetings to serve as a secondary set of eyes to HKS, while handling contract documents. 


"As with all projects of this size there were some late nights, but we had a great team and were able to come together," said Owen Blake, Project Manager for BWA. "You have to put differences aside to create something this magnificent." 


"If there was ever a quadrant that needed strength, it was the southeast corner of the Delta Center complex," added Lyle Beecher, Principal-in-Charge for BWA. "This project is a great addition to the area in so many ways." 


One design challenge was creating a lifestyle hotel with a high level of street and pedestrian engagement that in addition to attracting travelers, will become an extension of the sports district and the entertainment hub. 


Along with its residential counterpart, The Charles, the hotel has created a vibrant entrance into the new development by engaging its context through deliberate planning of active uses and contextual architectural design. Hotel lobbies line both street frontages, connecting at a corner restaurant with outdoor seating. On level two, the large pre-function area engages the street, and the 10-story curtain wall façade symbolizes the latest transformation of the Gateway District. Street and corner engagement continue vertically and terminate at the rooftop terrace with a long cantilever that activates the City skyline. 


Moving on Up 

Designed by Salt Lake-based Architectural Nexus, The Charles is every bit the equal to the hotels with its lavish style and amenities, and slots nicely into the downtown, high-end residential apartment market, designed with a head-turning exterior curtain wall system with varying window sizes in a playful pattern with masonry, steel, and glass working in harmony. 


The building offers a mix of studio, one- and two-bedroom apartments and 11 penthouse units, along with plenty of fun public spaces with modern, highly functional amenities highlighted by the dazzling rooftop pool terrace and lounge area and state-of-the art, 2,600 SF indoor/outdoor fitness center with yoga studio, a social club, clubhouse/lounge, outdoor grilling stations and even a poker lounge, Aces & Vinyls. STK Steakhouse signed a lease in May and will occupy 8,500 SF of interior space and 2,000 SF of patio space on the ground floor end cap of The Charles. 


"When you can expose concrete you get a marriage of refinement and rawness and you see that in the interior, you get that feel of modern and new," said David Abraham, Sr. Principal with Nexus. "It offers a bit of nostalgia and what it means to live a downtown lifestyle."


Even minute items stand out for their fine detail, added Charles Bagley, an Associate at Nexus, such as "details in elevator buttons, ivory and circular elements, other whimsical elements throughout the entire project [...] creates a unique identity." 


Interior design elements are lively and fun, with modern, decorative furniture and floor-to-ceiling glass offering exquisite downtown views.

Lisman Studio of Salt Lake, led by Principal Belle Kurudzija, provided interior design on The Charles, including space planning for all amenity areas and hallways, and art and lighting procurement—"the wall sconce feature is my favorite in the lobby," said Kurudzija. 


"I wanted to create a bespoke space that was authentic and new to the city," she added. "A space that has balance of comfort and familiarity to out-of-state tenants, and a space that melodiously incorporates the rhythmic liveliness, improvisational nature, and soulful mood of Jazz."


Construction Techniques, Innovations Key to Success

Tony Castillo, Sr. Project Manager for Jacobsen, had his hands full dealing with three different architecture firms, representatives from both hotels, and numerous other stakeholders, on top of everything brought to the industry by Covid and supply chain challenges. That said, this project is a landmark and one that was ultimately successful due to a total buy-in from all contractors on the project. 


"We definitely had our share of challenges, but we're proud of the effort of all team members," said Castillo. "The two buildings mirrored each other. This is a marquee project for us."


Jacobsen's estimators were able to keep costs down and manage a tight schedule including the challenge of a hotel branding change, which necessitated different items, FF&E, etc. 



Another boon to the schedule was the use of Structionsite, sophisticated jobsite imaging technology used to identify exact locations of key components of the building, including post-tensioning cables, rough-ins, electrical and mechanical systems and more, to reduce re-work or constructability conflicts.

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The Charles is designed for the upper-class residential market, with a head-turning exterior and luxurious, topshelf amenities across the board, including a playful rooftop pool/lounge area and inviting common spaces. 

Much More to Come; Interest Rates Pausing Phase II

Future additions to The West Quarter will focus on activating the mid-block space, with new retail and dining areas creating Quarter Row via a curbless, pedestrian-friendly design.


Ritchie said Phase II (Block C) will include another upscale 321-unit residential tower and 24,000 SF of retail space—with dramatic 20-24 ft. ceilings, offering true mezzanine level retail opportunities. The project is ready to break ground, but interest rates at 7%+ will push the official start to mid-2024. 


Phase III (Block D) will be highlighted with two towers up to 375 ft., including another 200-key hotel and 130 condominiums in the same tower, plus a swanky, Class A office building, which Ritchie admits is a very ambitious plan given a cooling office market due to uncertainty over flex/remote demands of today's workforce. 


"No one wants to build [office], no one wants to finance it, but we believe," he said. "95 State filled up because of location and amenities. My belief is when there is another [office] building built in Salt Lake City, it will be ours. The office is important because it allows parking on weekends—that really activates the center. We want to leave a legacy we can be proud of."


Tursic, who is also Principal-in-Charge for HKS on the 450-ft. Astra Tower high-rise luxury tower, said it's rewarding to be involved in transformative urban Salt Lake projects that "are changing our skyline and enriching our downtown experience. The most satisfying part for me, however, is seeing how these projects are used and enjoyed by their end-users, people for whom we ultimately design. Projects like The West Quarter demonstrate that good design is good business that benefits the development, our communities and the City as a whole."

The West Quarter (Phase 1)

Location: Salt Lake City 

Delivery Method: CM/GC

Square Footage: 737,000

Stories/Levels: 11 Stories (+2 underground parking levels)


Project Team

Owner: The Ritchie Group; Garn Development

Owner’s Rep: Ryan Ritchie

Developer: The Ritchie Group


Design Team

Design Architect: HKS (Ph. I Hotel) 

Architect of Record: Beecher Walker Architects

Design Architect: Architectural Nexus (Ph. 1 Residential)

Civil: Twin Peaks Engineering & Land Surveying

Electrical: Hunt Electric Inc.

Mechanical: CCI Mechanical

Structural: SE-Solutions, Inc.

Interior Design: HBA Studio 

Landscape Design: MGB+A 


Construction Team

General Contractor: Jacobsen Construction Company

Concrete: Suntec

Plumbing: CCI Mechanical

HVAC: CCI Mechanical

Electrical: Hunt Electric

Masonry: IMS Masonry

Drywall: Wallboard Specialties 

Acoustics: Golder Acoustics, HD Acoustics LLC

Painting: Grow Painting Inc., Pete King Commercial 

Tile/Stone: Global Stone and Tile LLC, Metro Tile Associates, Millcreek Tile & Stone LLC, 

Curtain Wall/Glazing: B&D Glass, LCG Facades 

Flooring: Spectra Contract Flooring 

Roofing: Utah Tile and Roofing 

Waterproofing: Waterproofing West, Guaranteed Waterproofing & Construction

Steel: Glassey Steel Works, Sanpete Steel

Excavation: Reynolds Excavation 

Vertical Shoring: Keller North America Inc.

Innovative Education

By Brad Fullmer • 01 Apr, 2024
It's not every day that an architect designs a project around a native flower, then again, the new Career and Technical Education (CTE) High School in St. George is far from your standard K-12 school. "Essentially, we patterned the floor plan around the Bear Claw Poppy," said Bryan Dyer, Director of Facilities for Washington County School District (WCSD), and one of the primary designers of CTE from 2018-20 while at St. George-based NWL Architects prior to joining the District. "The courtyard is the center of the poppy; the rooms represent flower petals. I think it turned out nice—the courtyard is heavily used and is a unique part of the project. The school board tasked us to do something unique to the District—it's the only building of its kind in the state where students have educational and vocational all in one." "It was kind of a philosophical departure for the District—they recognized the need to pick up the students that fall into a category of not being traditional students—they wanted something different and arrived at the need for a career and technical emphasis," added Terrance White, Principal-in-Charge for NWL. As the first standalone career and technical education facility in Utah, the revolutionary $29.6 million, 126,000 SF school offers eight pathways for the nearly 500 students enrolled at the school (capacity is 800), including: business, construction, culinary arts, engineering, education, graphic design, health science, and information technology. The two-level design prioritizes functionality, creating a dynamic environment where students can explore their chosen fields with purpose and passion. WCSD officials and architects from NWL were inspired by similar CTE schools they toured in Houston and Las Vegas and were able to successfully translate the vision inspired by those schools into a tangible space that fosters true collaboration between students and sets a new standard for a career-focused educational platform. "We toured a school in Houston [...] and recognized the architecture of that building took on more of a junior college feel—it felt like it was something more than a high school but not quite a university," said White. "It's great to see a school district recognize where they can take better care of their students."

A Quarter Century of Leed

By Brad Fullmer • 01 Apr, 2024
It's been more than three decades—1993, to be exact—since the non-profit U.S. Green Building Council (USGBC) was co-founded by S. Richard (Rick) Fedrizzi, David Gottfried, and Michael Italiano, which ultimately spawned the revolutionary Leadership in Energy and Environmental Design (LEED) in 1998, a points-based rating system that offered legitimate third-party verification of green buildings. The goal of the fledgling association was simple: Increase overall sustainability of new construction projects including improved energy efficiency and creating a better, healthier environment for building occupants—all with the goal of reducing construction's carbon footprint. At the time, it was considered a bold initiative, with significant potential real-world benefits to the A/E/C industry. It took several years for the LEED initiative to get off the ground, but by the turn of the 21st Century, the phenomenon started taking root in the design community. "When LEED began in the late 90s/early 2000s, it was an incredible ambition to transform the building industry and to bring sustainability into the conversation," said Whitney Ward, Principal with Salt Lake-based VCBO Architecture and one of the firm's leading sustainable design experts. "[USGBC] had some big hurdles to overcome, including a general lack of knowledge about or mistrust of global warming and climate change." Ward said the U.S. Green Building Council and the LEED rating system had an immediate and profound effect on: —Creating more transparency in material manufacturing and getting manufacturers to care more about developing more sustainable/greener materials (carpet, flooring, paint, textiles, etc.) —Highlighting the true value of sustainable buildings through "incredible marketing efforts" and spurring owner demand. —Becoming the "go-to" third party certification agency for sustainable buildings. "The environmental consciousness of designers, builders, and owners [...] has really evolved to (where we say) 'we're going to do the best we can'," said Ward. "LEED has been an incredible tool in reshaping the industry and helping manufacturers, contractors, architects, and other industry partners understand the impact that their decisions have on the environment and on energy use," said Peter McBride, Principal with Salt Lake-based Architectural Nexus. "The conversation 20-30 years ago used to be 'how much does this cost?' or 'what is the percent increase cost in doing (LEED) vs. the baseline?' As each version of LEED established itself as an industry standard, the answer has been that LEED Certified or LEED Silver costs no more—or slightly more—than a baseline design. With each subsequent version release, LEED continues to push the boundary—sustainable design is now the baseline." "LEED has increased awareness for sustainability and energy conservation in buildings," added Chris Cox, Building Performance Program Manager for the State of Utah Division of Facilities Construction and Management (DFCM). "As far as the biggest pro, LEED brought the integrated design process to the forefront—user groups, owners, maintenance teams, architects, engineers, and builders work together in achieving the best outcomes."

Q&A w Bryan Turner

By Brad Fullmer • 01 Apr, 2024
UC+D: How was it working with Gary Payne for so many years? Turner: His impact on the Davis School District will last many years due to the buildings that were constructed during his time. Rather than being satisfied with the status quo, we worked to develop school buildings that would accommodate innovate teaching styles and would be safe, economical, and exciting places where children would want to be. UC+D : It's been 10 years since Odyssey Elementary was completed. What is the analysis of how it has performed? Turner: It is not very hard to create a truly Net-Zero building. We can produce enough electricity to offset the electricity used, plus the natural gas usage—however, the power company will not give us credit for electricity generated above what we use. An energy model was used to estimate the Energy Use Index (EUI) of Odyssey Elementary. It predicted that our EUI would be 22. The first year it was actually 17. An ideal Net-Zero building would not have any natural gas usage. We elected to install a gas boiler in the building to help control the "demand" charges that would occur on cold days when all the heat pumps would start up in the building. For 2023, the PV array produced 213,066 kWh; we used 188,088 kWh in electricity. We used 421 decatherms of gas, giving us a cost of $0.33/sf for energy usage, compared to an average building in the district (about $1.25/sf). UC+D: What is the greatest success with Odyssey? What would you do differently? Turner: Odyssey Elementary, with all its energy-efficient features, provides an excellent educational experience that benefits both teachers and students. The building accommodates different learning styles, collaboration, and individual exploration. First and foremost, the building is a school, albeit one that is very maintainable. There is not anything I would do differently. Since this was the first of a series of prototypes, a lot of thought from a lot of people was put into it.

Literacy Level-up

By Talia Wolfe • 01 Apr, 2024
Before the Logan Library ribbon-cutting ceremony began, two children eagerly ran past the staff toward the children's section. Inside the children's area, two girls, with their arms linked, skipped past the shelves of books while a little boy raced along the cobblestone path that weaves through the bookshelves. A young girl in the reading nook called her mom over to see, and a little girl with pigtails used the miniature-sized door into the children's section to enter the playhouse. The ribbon-cutting began in the lobby and adjacent community room, which were filled with patrons of all ages despite the stormy weather outside. As they entered, a string quartet greeted people with lovely music, and cameras lined the walls for press coverage; even the local firefighters came to show their support. Before the library's opening, Mayor Holly Daines shared how the facility was designed and built with modern and historical intentions. The mayor and various library donors spoke excitedly about the new library before the giant scissors were used to cut the ribbon. Immediately after, patrons with arms full of books were perusing the bookshelves. Children read in the aisle, too excited to move to a table, while parents formed a line waiting to check out books for the family. Quiet laughter emanated from the "teen and tween" section, and Utah State University and the Logan Latter-day Saint Temple are visible from the third-floor windows. From 1985 to 2021, the previous library was in an old and converted Sears building. For the last 20 years, Logan City leaders have discussed providing residents with a modern library. "The library was old and dark, and the systems were failing. It never was a purpose-built library," said Daines.

Landmark Lehi Hospital

By LADD MARSHALL • 01 Apr, 2024
Since its inception more than a century ago in 1922, Primary Children's Hospital has set a standard for pediatric healthcare excellence by continuing to produce world-class facilities throughout the Beehive State. The latest cutting-edge offering is the Intermountain Primary Children's Hospital, Larry H. & Gail Miller Family Campus in Lehi (PCH Lehi), a project of significant importance to this burgeoning city, one that ranks among Utah's fastest-growing communities. Aided by a $50 million gift from the Miller Family Foundation, this landmark five-story, 486,000 SF, 66-bed project features the latest and greatest in medical technology in a building that is fun, playful, and energetic, with colorful design elements playing a vital aesthetic role throughout. The value of a project on this level is beyond measure, said Blake Court, Vice President of Salt Lake-based Jacobsen Construction. "Primary Children's really has a special place in my heart—they are a very special entity," said Court, a veteran healthcare professional with nearly 35 years of overall experience, including 19 years at Jacobsen along with stints at the State of Utah Division of Facilities Construction and Management and the Department of Veteran's Affairs. "It has been embraced by the community. Lehi and the surrounding areas are growing so fast. It's just amazing to see what's going on there." "It's a once-in-a-lifetime project," said Jeff Pinegar, Principal with Salt Lake-based VCBO Architecture, who partnered with Page Southerland Page of Houston on an exhaustive 19-month detailed planning and design process to create a comprehensive hospital and clinic in one congruous structure. "To see these kids have the spirit they have [...] it's a life-changing project. I'm so glad I had the chance to be part of it. I love the challenge of healthcare." As with most construction projects that originated during the pandemic, PCH Lehi kicked off in August 2020, which proved immensely challenging from the onset in regard to worker health and volatility of material cost and availability. "Everyone knows the story—people got sick, it spread to co-workers, and we would lose entire crews [of subcontractors]," said Court. "We would constantly be down manpower. And then [material] lead times just skyrocketed. Materials that we normally get off the shelf went to a year-and-a-half overnight because manufacturing plants were shutting down. Add in price escalations and it was just a trifecta."

Taking Another Shot

By Brad Fullmer • 01 Apr, 2024
At an age when most folks are kicking off their post-retirement "golden years", 66-year-old Cal Wadsworth is attacking this chapter of his life with the zest of a man reborn, having fired back up his general contractor firm in 2020 with a vision of eventually turning it over to the next generation. It speaks to his resolve as a businessman and construction lifer, as a parent who wants to do right by his children, but even more as a person who has rallied/is rallying back from a challenging period personally, which coincided with the great recession and led to him shuttering Cal Wadsworth Construction in 2010. "I'm realizing more with time that I'm not in control as much I thought," said Wadsworth. "There is the realization that you've got to give up control. You can't base all your happiness on the money that comes from this business. Learning to live with disappointments is something I'm getting better at. Learning to live with them and not let them ruin my confidence, or my ambition. I live by the 'Serenity Prayer'."

Robust Growth Fuels Lehi City's Development

By Brad Fullmer • 01 Mar, 2024
Adobe’s 680,000 SF Lehi Campus is an iconic project in Lehi that was completed in two phases, with the first phase opening at the beginning of 2013 and signaling a new era of development along the Silicon Slopes corridor. (photo by Dana Sohm) Inset: Aerial view showing an illustration of Texas Instruments’ new 300 mm semiconductor wafer manufacturing plant—referred to as “LFAB2”—which broke ground last November and marks the single largest investment (over $11 billion) in state history. (photo courtesy Texas Instruments)

Forging Ahead

By Brad Fullmer • 01 Mar, 2024
Work continues to grind forward on the mammoth new Salt Lake City Water Reclamation Facility (WRF)—a critical $850 million project being built by a joint venture of the Salt Lake regional offices of Sundt Construction and PCL Construction that will replace the current facility in North Salt Lake once it's turned over to SLC's Department of Utilities (SLCDPU) in July 2026. As it stands, this is the second-largest project in City history, trailing only the recent $2 billion-plus Salt Lake International Airport Redevelopment (Phases 3-4 ongoing), and one of the most technically challenging projects in the state. "We are up for the challenge every day—the magnitude of this thing is unreal," said Manny Diaz, Project Manager for Salt Lake-based Sundt, as he drove around the massive 30-acre site in late-January, a worksite teeming with 300 current employees (it will peak at 400 workers this summer) and myriad complicated structures being built simultaneously. Diaz is a long-time veteran of the water reclamation facility industry—this project marks plant No. 26 in his own personal history—and he was brought in a year ago by Sundt because of his expertise. When he arrived in Salt Lake at the beginning of last year, it was right smack dab in the middle of what proved to be a record-breaking year for snowfall. "It was quite a welcome to Utah!" Diaz chuckled. "We keep very close tabs on the weather." And while crews haven't been subjected to the same inclement weather this winter, site conditions are still generally wet and muddy, and the difficulties associated with building the various structures are constant. Crews are nearing the halfway mark, so certainly it's a milestone worth acknowledging, even though a mountain of construction is still left to climb. "It's such a huge accomplishment to be this far," said Jason Brown, Deputy Director of Public Utilities for SLC. "We've faced a lot of challenges, Covid, material shortages [...] it's amazing to be part of a team that works so well together. We still have a long way to go, but we'll get there. We've made a lot of progress and should be proud, but it's hard to celebrate success with so much work still ahead." Diaz, along with PCL Project Manager Shayne Waldron, said crews recently achieved a major milestone: one million hours worked, a notable accomplishment. “Achieving the ‘one million hours worked’ milestone is a testament to the coordination and collaboration required of a project this size," said Brown, adding that the new WRF project benefits from regular and ongoing staff collaboration, under the watch of Sundt/PCL, designers AECOM and Jacobs, and SLCDPU leadership. “This [milestone] is the culmination of many different efforts,” added Mauricio Ramos, District Manager for PCL’s Civil Infrastructure Division. “From local engineers to pipe layers, journeymen, construction trade workers, foremen, and general laborers, every team member has been instrumental in reaching this benchmark. The collaboration between PCL and Sundt has been a testament to our shared commitment to excellence and innovation.” "Our crews are working together seamlessly to ensure that the final product meets the goals and needs of the community," said Sam Reidy, Senior VP and District Manager for Sundt. "Celebrating this milestone recognizes the hard work and commitment each member of the project team has made to this project and the Sundt/PCL partnership." Diaz and Waldron said soil conditions challenged the team right out of the gate and took significant time to stabilize the site. "At the very beginning, the project was designed to be built on top of where the sludge beds were at, but it turns out the sludge beds were on shaky ground," said Diaz. "This whole area is young in age, so it's all soft clays and sands," added Waldron. "Soft clays are compressible, so the big issue is settling. It would have [cost] $80 million in piles to shore it up, and then in between buildings you have all the pipe and utility duct banks, so they would almost need to be built on piles." Waldron said the idea came up to pre-load the whole site, where crews built a flat pad, installed wick drains, then pre-loaded 30 ft. of dirt, with drains going down 125 feet and providing a way for water to be pushed out of the clay. "We had over seven feet of settlement," said Waldron. Crews also set up sophisticated monitoring equipment "to see where ground was settling and what layers were compressing the most. It was really scientific—a lot more than I've seen before." Diaz said it took six months to haul in the fill dirt where it remained in place for eight months, then took another six months to excavate out—close to one million yards of total material. It was an exhaustive process, with an average of 400 trucks per day and close to 500 trucks hauling 18,000 tons on the best day. Having a cohesive, highly collaborative team of designers and construction experts has been a boon to the project schedule. Once completed, Salt Lake City’s new WRF will serve over 200,000 residents as well as those who commute downtown to work or visit Utah's capital. It will replace the City’s current—and only—wastewater treatment facility, which is over 55 years old and near the end of its service life. Maintaining reliable operations at the existing facility while constructing the new WRF nearby has been critical for the project’s success. Since breaking ground in 2019, the project team has completed approximately 65% of structural concrete work as well as soil mitigation, deep foundation work, and the installation of underground utilities. In late January crews began excavating dual 63-in. diameter pipelines, along with a 78-in. effluent pipe that is being hauled one giant piece at a time from Canada, a new type of corrugated HDPE with welded joints that should provide greater durability. All in all, crews will ultimately pour 93,000 CY of concrete and install 22 million pounds of reinforcing steel, along with 89,000 LF of underground pipe ranging in diameter from 1.5-in. to 78-in. "The camaraderie among the team members allows for a very cohesive team," said Diaz. "The only way you can tell who works for who is by the color of the truck. We have a 'one project' mentality. The complexity of the job and being trusted to lead this effort [...] have been [important] for me. It's been a great job so far." Diaz, who said his first wastewater treatment plant was in North Miami Beach in the late 80s right after he graduated from college, hopes to remain in Utah once this job is completed and turned over to the client by mid-2026. “I plan on staying here and continue to work on treatment plants in Utah,” he said. “There’s a lot of work here. We have vast experience, and we have a lot of people who want to be in Utah—it’s a great place to live. Let’s do it!”

Let the Good Times Roll

By Brad Fullmer • 01 Mar, 2024
It's been more than 45 years (1978) since The Cars released their debut album highlighted by the wildly popular song Good Times Roll, but if there was ever a tune to sum up the general sentiment of local A/E/C professionals regarding Utah's 2024 Economic Outlook, Good Times Roll would be up there. "Our members are expecting another good year," said Joey Gilbert, President/CEO of the 650-member Associated General Contractors (AGC) of Utah. "For our contractors in both the building and highway markets, the outlook is good. Many still have decent backlogs to keep them busy through 2024 and in some cases, even 2025. The public sector is strong, and on the private side, owners are still investing in some big projects." Robert Spendlove, Chief Economist for Salt Lake-based Zions Bank, reported at the AGC's Economic Outlook meeting last November that commercial construction was up 1.6%, while Utah as a whole reported 2.5% growth overall, and believes both will continue to fare well in 2024. "Utah also has one of the lowest unemployment rates in the U.S. [2.5%]; when it gets too low, you get real struggles of labor shortages," he said. "It prevents companies from growing and is one of those defining economic characteristics of this past cycle. If we get above 4-5% we get nervous that it's a sign of a recessionary environment." Spendlove said tailwinds include strong consumer spending, a strong labor market, and an overall robust economic Intermountain West region, while headwinds could include a lack of new workers, government shutdowns, energy prices, and international uncertainty. Another bonus is that Utah remains one of the strongest states economically, regardless of what is happening nationally. "I would say uncomfortably optimistic," countered Dejan Eskic, Senior Research Fellow for the Kem Gardner Policy Institute at the University of Utah, citing a number of factors potentially slowing down the design and construction industry such as housing, labor, and material price fluctuations—basically the same post-Covid headwinds Utah-based firms have been battling the past couple of years. "On paper, we should have a decent economic year in Utah. Because it's an election year, it brings more optimism generally. Stock performance does better in an election year, jobs do better. You have to stick to those basics. Eskic has been with the Gardner Institute for eight years, including the past five in his current role, explained that some of the uncomfortableness facing the local economy stems from having virtually no labor pool in certain segments, including construction—which continues to face a dearth of skilled craftsmen in virtually all subcontractor trades. "We still have red flags," he said, noting concerns with still-high housing costs. "Maybe it's too early to call if we've cracked inflation. 2023 ended up way better than anybody expected—it was supposed to be a recession year, but the recession never came, and the labor market exceeded expectations. "I'm bullish on Utah," he added. "I look at the numbers and how we're going, and we're in a very strong growth pattern with the economy. Things will continue to expand." Indeed, despite nasty rising interest rates that put the brakes on some speculative development projects, Utah-based owners continued to plow ahead on projects, and by-and-large most market segments continued to see a healthy amount of activity as firms set about tackling healthy project backlogs.

Building Blocks

By Reuben Wright • 01 Mar, 2024
Crews working on bridge sections of the project did the majority of heavy-lifting—as seen with these giant cranes lifting heavy girders—during the wee hours of the night, part of UDOT’s expectations of keeping traffic moving by limiting road closures. (night photos by Kjell Gerber, BuildWitt)
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