MHTN Architects 100th Anniversary

Salt Lake-based MHTN Architects has been designing impactful, community-centric projects for a century. With close to 100 employees and spectacular new downtown digs, the firm is optimistic about its future as it celebrates its Centennial Anniversary.


By Brad Fullmer

Through seven iterations of the firm and the various transitional leadership changes that organically occur over a century, Salt Lake-based MHTN Architects has survived and thrived as one of Utah's perennially top-ranked architecture firms, with ambitious goals for future success. 


As the firm celebrates its historic 100th Anniversary this year, its leaders are quick to express gratitude for the literally hundreds of people who have contributed to the firm's rich history of designing impactful, community-enhancing projects.

 

"One of the hallmarks of MHTN is transitioning leadership," said Peggy McDonough, President of the firm since 2010. "It's been key in mentoring (employees) over the years. We've gone over stories from the founders and through all iterations of the firm that eventually became MHTN—the stories are about people mentoring others and helping them progress." 


"The founders did a great job developing some of the core values of MHTN that you see today in our design excellence and client service," added CEO Chad Nielsen, who joined the firm in 1999 and was named CEO in 2014. "In the past decade we've made great strides in focusing on teamwork and empowerment of our people. Respect and environmental responsibility have changed over the years, as well. We have a broad and diverse set of project types and building types." 

100 Years of MHTN: Ashton, Montmorency Generational Leaders

MHTN Architects was originally founded as Ashton & Evans in 1923 by Raymond J. Ashton and Raymond L. Evans, two talented, driven architects who had roughly 25 combined years of experience between them when they merged forces. Ashton, who was eight years older, had gained experience working in Chicago from 1916-19 for various firms including Armour & Company, designing branch houses and residential projects. He returned to Salt Lake in 1919 and practiced architecture for four years before meeting Evans.


Evans was self-trained and started practicing at age 17, working for a handful of firms from 1912-18, including Cannon & Fetzer (1915-16) and the Villadsen Brothers in Salt Lake (1917-18; 1919-22). He also served in World War I for a year from June 1918-19. 


The firm quickly gained notoriety for its excellent comprehensive design expertise and ability to work on large projects, and gradually built upon its stellar reputation over the next 20+ years. Other key moments along MHTN's rich timeline: 


•  In 1946, Bernis Eugene (B.E.) Brazier joined the firm, making it Ashton, Evans & Brazier. Evans passed away in 1963 from complications due to multiple myeloma, but not before being honored as the second (Utah-based architect) recipient of the American Institute of Architects (AIA) Gold Medal Award for meritorious service and impact to the profession. The firm quickly pivoted by naming Fred Montmorency a partner that year (he had joined the firm in 1955) and dubbing itself Ashton, Brazier, Montmorency & Associates. 


Montmorency was a larger-than-life, alpha personality who is widely credited for taking what Ashton and Evans had built and expanding on it, making the firm even more diverse and influential. 


•  Ashton retired in 1970 at the age of 83, leaving behind a legacy spanning more than a half century. He was an active member of the American Institute of Architects, serving various roles including President of the AIA Utah chapter, as well as National AIA President for two years in 1944-45. 


•  In 1970, David Hayes and Elden Talbot joined the firm as Principals, while Brazier retired in 1971, leading the firm to be called Montmorency, Hayes & Talbot Architects (and renamed MHT Architects in 1980.


•  In 1993, MHT merged with Nelson, Johnson Partners and was formally renamed MHTN Architects, its title for three full decades now. Key leaders during this period included the Jones Brothers, Lynn and Bryce, who served as President/CEO from 1992-2004 and 2004-10, respectively. 


"The constant (through the years) is the level of service and the practice of design," said Nielsen. "The composition of MHTN today spans multiple generations. I think Peggy and I help to bridge the diversity of generations at MHTN, to continue that high level of service and practice of design." 


Influence of MHTN's early leaders ripples through to today. McDonough even crossed paths with Montmorency early in her career in 1993, when she worked at the firm on a temporary basis for four months. 


"Fred was gregarious," she said. "He got to know anybody who walked in the door. He was just a very friendly guy and always interested in what a person was doing, what they did. That's why he was so pivotal to the firm. He made sure he was making those connections." 


Talbot visited several times and "connected with us in a grandfatherly-type way" in recent years, McDonough said, sharing valuable insight from the past with current employees before his passing in December 2021.


Today, MHTN's 16 partners recognize it took many talented people—who modeled leadership and mentored skills—to make the firm what it is now moving beyond 100 years in continuous practice. 


Maintaining Consistency; Workload Balance a Priority


Another hallmark of MHTN over time is its ability to consistently perform at a high level and maintain consistency in the financial health and sustainability of the firm. In the past four years (2019-22), the firm has reported revenues of $21.4 million, $19.5 million, $21.6 million, and $27 million, the latter marking an all-time high. At nearly 100 employees the firm is at a good size, but is always looking to hire great talent as work is abundant across a spectrum of bustling markets in public and private sectors. 


The firm offers a full slate of design services including architecture, interior design, landscape architecture, and master planning, along with ancillary services like programming, feasibility analyses, bond campaign support, and cost estimating. In-house studios include: Civic + Cultural; Commercial; Healthcare; Higher Education; K-12; Planning & Urban Design. 


In the last decade, McDonough and Nielsen said the firm's focus has shifted to practicing architecture more collaboratively vs. focusing on a specific market sector and taking projects from initial concept stages to final completion and performing every design function throughout the process. 


"Previously, the culture of the firm was market sector/business driven; ten years ago, we were just beginning to recognize the value of cross-collaboration between market sectors and design areas," said McDonough. "We decided the vision of the client was centric to how we practiced. It is quite intentional how we integrate and develop the culture of the firm for people honing a unified practice together."


The way the firm's top executives work on a day-to-day basis also changed in 2010 when the role of President and CEO was split between McDonough and longtime Principal Dennis Cecchini, who retired in 2014, a strategic decision made by outgoing President/CEO Bryce Jones, who felt it was important for the firm's top leaders to stay active in project design. 


"He said (President/CEO) was too much for one architect to do and try to practice," said McDonough, "and we agree that is the case. What we try to keep sacred is time as practitioners. Half our time is as a business executive, half our time is in client practice. We don't see how it could work any other way."



She continued, "As an architecture firm, the executive leadership [...] would not be credible to our clients if we were not practitioners. If we didn't show up on client projects, or be active in design, we would never be able to build that trust."

"Having a background in architecture helps inform (leaders) how the business is run," added Nielsen.


  • U of U Eccles Student Life Center

    U of U Eccles Student Life Center

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  • MHTN Studio Cafe

    MHTN Studio Cafe

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  • Pluralsight Global Headquarters

    Pluralsight Global Headquarters

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  • Emory Student Center

    Emory Student Center

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MHTN was part of the iconic Pluralsight Worldwide Headquarters in Draper. The 700-foot long building features 350,000 SF of office space, sloping from four to five stories.  The Emory Student Center in Atlanta showcases the design prowess and geographical reach of MHTN beyond its significant local impact within Utah. (photos courtesy MHTN Architects)


The George S. Eccles Student Life Center is a stunning example of MHTN’s designwork within Utah’s higher education market. This campus building at the University ofUtah multitasks as a center for student academic, recreational, and social life.  The studio café at MHTN’s new offices help its nearly 100 employees foster collaborationand connection in a less formal setting.

Sweet New HQ Designed to Foster Innovation, Collaboration


It's been more than three years since the pandemic forced firms to adjust their mode of operation, which continues to be a work in progress for many professional firms, regardless of industry. Working remote remains en vogue among any demographic younger than Gen X, with hybrid schedules becoming the norm. 


MHTN began the process of transitioning into a new headquarters right as the pandemic hit first quarter 2020—their lease at the IBM Building on South Temple came up at the end of March and they had decided to look for new space. 


They had known about an office in the Ford Motor Building in downtown Salt Lake that had been occupied by Union Pacific, a space with a mezzanine and a dynamic clerestory that offered exciting design options. The Utah Chapter of the American Institute of Architects (AIA Utah) has its office in the same building, and McDonough remembers checking out the office when she served as chapter President in 2016.


"We'd go to that balcony, press our noses against the glass and say 'that is such a cool space!'," she recalled. "This clerestory was what we were looking at. It's a two-story space; we knew it had excellent potential. Collaboration is so important to us—we needed a place where people inhabit the same space and could run into each other [...] [fostering] unplanned meetings. It's not just coming to work, burying yourself in the office and never seeing the team."


Nielsen said the landlord was generous with tenant improvement allowances, allowing the firm to get as creative and it wanted. The new MHTN Studio is an immersive space for design exploration and collaboration. 


Staying true to the existing industrial palette of steel and brick, the space is open, light and airy. Maximizing the distribution of natural light throughout all spaces was a priority, honoring Albert Kahn's original design and transforming the former divided space into an open studio that features a long, tall clerestory, industrial proportioned windows, and a floor-to-floor height originally designed to maximize daylight for finishing touches of car assembly. 


Daylight—an essential component of better mood, energy, and productivity—reaches private and collaborative spaces throughout the office, from individual workspaces to project rooms, a fabrication lab, materials library, lounge deck, and cafe. Up to a dozen employees, including McDonough and Nielsen, participated in the design. Construction (by Layton Construction's ICS team) started in October 2020 and the firm moved in April 2021. The pandemic provided a bit fortuitous during the transition to the new office as the entire renovation happened in an unoccupied building, with the staff having shifted to remote work by April 2020. "You can't plan that sort of thing," Nielsen laughed. "It was a silver lining for us." 


The firm offers a hybrid schedule with up to two remote days per week, with leaders believing nothing is better than in-person collaboration, but understanding how workplaces are tilting. 


"I think it works well for everyone to have some time to be a little less accessible and focus on other items," said Nielsen. 

 

Future Outlook Bright


Both McDonough and Nielsen believe the firm is well-positioned for great future success, with a stellar team of Principals, Associate Principals, and Associates in place and acting on the forefront of technology and cutting-edge design trends.


Success will continue organically as the firm sticks to its long-time principles of design, service, innovation, putting clients first, and improving on project delivery methods.


"We've certainly been successful financially, but what I measure as success—in terms of true value—is the practice and the culture, and what we're leaving behind because architecture is a physical outcome," said McDonough. "(Design) impacts communities. It's not just that each building should be beautiful, each building becomes part of the community, and the community makes it their own. We know that happens which, in turn, helps us continue to elevate our design—that is our responsibility to society at large. It's making sure the buildings we're designing—the places we're creating for people—are connected, meaningful, responsible, and therefore beautiful."


As a signatory of the AIA 2030 Commitment, MHTN is dedicated to integrated action to reduce the impact of buildings on the planet. The firm has formed teams with a future-minded framework to research, understand, and implement how their buildings act: metrics, energy, performance, durability. 


"Part of the legacy we carry forward from the past is that MHTN is known for excellent design, quality documentation, project management, service and reliability—all foundational, solid traits," said McDonough. "This solid practice allows our studio to now launch toward aspirational goals of EUI targets, embedded resiliency, zero-carbon, and sustainable modeling so our practice evolves and acts responsibly for future generations."

A Legacy of Impactful Projects 


Historic Projects 

1926:  Reconstruction of Great Saltair Pavilion

1932:  VA Hospital (12th Avenue & E Street)

1936:  Centre Theater

1960:  Salt Lake International Airport

1964:  University of Utah Medical Center


Notable Projects Past 25 Years

MORE RECENT NOTABLE PROJECTS:

1997: Scott Matheson Court Complex

2003: Univ. of Arizona Memorial Center Student Union

2013: Univ. of Utah Spencer Fox Eccles Business Building

2015: Mount Jordan Middle School

2017: Logan High School

2018: Southern Utah Univ. Dixie L. Leavitt School of Business

2018: Univ. of Utah Carolyn & Kem C Gardner Commons

2018: Salt Lake County District Attorney’s Offices

2019: Utah Tech Univ. Human Performance Building

2019: Mountain Ridge High School

2020: Pluralsight Headquarters

2020: Department of Veteran Affairs South Jordan Clinic

2022: Utah State Univ. Moab Academic Building

2022:  Brighton High School

2023:  Millcreek City Hall (under construction) 

Q&A with Nathan Goodrich

By UC&D • August 1, 2025
Nathan Goodrich

100 Years & Five Generations

By Brad Fullmer • August 1, 2025
Paul founded Paulsen Construction in 1925 after immigrating from Norway 16 years prior. Sprague Library in Sugar House was originally built by Paul, and then restored nearly 100 years later, led by current President John Paulsen.

State of Industry; State of Progress

By Utah C&D • August 1, 2025
West Valley City Veteran’s Memorial Expansion Owner: West Valley City Architect: EDA Architects GC: Okland Construction Estimated Completion Date: September 2025

Showroom Showstopper

By Taylor Larsen • August 1, 2025
Commercial office is not dead. The market is alive and well, according to the design pros at HB Workplaces team. Their new office and showroom in Draper, and what it has done for employees and clients, is a case in point. All it took was a change in scenery. Transitioning from the B'Nai Israel Temple, built in 1890, to a new space was a welcome change for the team. "I just remember working between 2015 and 2020, and it was just," Keilian Meyer trailed off as he described the former office, a historic religious building converted into an office and showroom in 1987. Minimal natural lighting, rooms and layouts misaligned for team needs—their space wasn't bringing out anyone's best work. Meyer, Marketing Director for HB Workplaces, said going to work didn't engender a sense of engagement. "It was kind of punch in and punch out." But everything coalesced with their move. "The timing aligned perfectly," Meyer said of the June 2024 move and their rebrand from the year before from Henriksen/Butler to HB Workplaces. Dual Purposes Come to Life It aligned with every real estate broker's favorite word: location. Planting the HB Workplaces flag in the award-winning Baltic Pointe made perfect sense, especially with its epicenter locale between the booming economies of Salt Lake and Utah counties. HB Workplaces CEO Dave Colling summed it all up succinctly: "Our new headquarters is not just another building; it's a statement of our appreciation and stewardship of design, built upon decades-long heritage of our own, along with MillerKnoll, underscoring our commitment to excellence." The mass timber ceilings in HB Workplaces' first-floor office in Baltic Pointe—the first of their kind for a commercial building in Utah—are part of that commitment. Everything seems warmer, healthier, and better under the all-lumber ceiling. "We've always been drawn to inspiring architecture, and the natural warmth and intentionality of this structure made it a natural fit," said Meyer. HB Workplaces sought to make their mass timber home a showpiece for the beautiful and wide-ranging possibilities of today's commercial interiors, serving as an office for the HB Workplaces team and a showroom for interior designers and architects looking to envision their next project. That dual nature comes through perfectly across the space, with the showroom piece especially highlighted in the "Living Room" and its 382 SF of mid-century modern glory. The unforgettable Eames Lounge chair catches the eye, but closer inspection reveals some nods to the B'Nai Israel Temple's stained glass windows and other homages to the deep histories of the Herman Miller and Knoll brands. The room's mid-century-style lounge chairs, couches, ottomans, and side tables—all MillerKnoll line, of course—combine with gentle lighting to create the perfect spot for hosting. Brit Badger, HB Workplaces' VP of Client Development, explained how the Living Room is ideal for getting to know their design partners and clients, especially for a first meeting. "It's not all the same seating everywhere, like it would be at a conference room," she explained of how the varied seating choices—the Nelson Coconut Lounge Chair is often first dibs—help to create a relaxed and comfortable environment. "It's cool to see who chooses what. It's a fun way to start."

ASCE 2025 Report Card For Utah

By Brad Fullmer • August 1, 2025
Bragging about a “C+” might seem gauche, but Utah is one of only four states to earn that high a grade, according to the May 28 release by the Utah Section of the American Society of Civil Engineers (ASCE) of the 2025 Report Card for Utah’s Infrastructure. The cumulative “C+” for the Beehive State is the highest mark ever given by ASCE to any individual state—the report card itself spans 12 categories of infrastructure and is virtually unchanged from 2020 (ASCE issues report cards every four years). Utah's grade is also one step higher than the national infrastructure average grade of “C” in the ASCE 2025 Report Card for America’s Infrastructure, which dropped in March. Roads (B+) and Bridges (B) remain the stars of the class, as the Utah Department of Transportation (UDOT) continues to receive consistent state funding in furthering its aggressive program of building new projects to meet ongoing demand, while diligently maintaining existing infrastructure. “Our transit and transportation are doing fabulous," said Anna Lisonbee, President of ASCE Utah and an Engineer-in-Training at South Jordan-based Hansen, Allen & Luce. “UDOT and UTA are lauded as some of the most efficient [organizations] nationwide, so we’re doing very well in that category.” Aviation infrastructure was the only category to see a grade increase—somewhat predictable given the sheer amount of capital investment made over the past decade at Salt Lake International Airport, Provo Airport, and other regional airports statewide. Three categories—bridges, s tormwater, and transit—saw grade decreases. The remaining eight categories held steady from 2020. "Utah is one of the fastest-growing states in the country, and state leaders have taken steps to ensure the reliability of infrastructure systems as more people move here to enjoy Utah's thriving communities, amazing outdoors, and high quality of life," said Craig Friant, Utah Civil Practice Lead for South Jordan-based Wilson & Company and Chair of the 2025 Report Card for Utah's Infrastructure. Utah grades per category: Roads: B+ Bridges: B Drinking Water, Solid Waste, Transit: B- Aviation, Dams, Hazardous Waste: C+ Stormwater, Wastewater: C Canals: D+ Levees: D-

Toward The Promised Land

By Taylor Larsen • August 1, 2025
"What gets you out of Egypt doesn't take you to the promised land." The quote, as I first heard it, came from Ron Dunn, Founder of Salt Lake structural engineering firm Dunn Associates. While he was talking about the differences between founding and growing a company, the same principle holds true in developing a robust transportation infrastructure. In other words: "What got us here will not take us there." What has taken us here has been development dedicated to personal vehicles and last-mile freight—a stellar network of roads and highways from massive investments in horizontal construction. But what will get us "there" to the promised land? What will bring us to a future where Utahns can have the freedom to move without a car? Unified Plan for a Connected Utah? We'll certainly wander in the West Desert without a plan. Lucky us, we have hundreds of agreed-upon proposals across metropolitan planning organizations, cities and towns, counties, and even the Utah Department of Transportation. The Beehive State's guiding document toward long-term transportation plans, whether for cars or not, is found in the Utah Unified Transportation Plan, also known as the Unified Plan. The visionary document aims to prioritize funding across multiple transportation options and give residents choices, ranging from personal vehicles to mass transit and active transportation. Residents and metropolitan planning organizations across the state have added their input to further unify the state's trajectory. Key in Utah's Unified Plan, as documented, is analyzing and ultimately determining how transportation projects in Utah should be funded between 2023 - 2050. With projected needs across that timeline estimated at $153 billion in today's dollars, current revenue sources generating just under a projected $95 billion, and future revenue streams projected to generate just over $18 billion, we're going to be short. But where is that money going? Most often, it's funding roads. According to the Unified Plan, transportation needs from road capacity, maintenance, preservation, and operations project at a whopping $110 billion between 2023 - 2050, with a $29 billion funding gap in revenue. Funding future mass transit capacity ($14.8 billion) and operations ($19.8 billion) over the next 25 years costs a fraction of the projected costs for roads and highways. It's an apples-to-oranges comparison, admittedly, as massive funding for highways and freeways has created so much, but where do state priorities lead? Budget at a Glance Utah continues to tread the asphalt and concrete highway to prioritize highway funding. UDOT's FY2026 funding document shows $2.5 billion in funding. Estimated Transportation Investment Fund (TIF) expenditures, primarily used for improving or optimizing capacity, are projected at $1.2 billion. Within the TIF, Class B & Class C Roads, county roads and city streets, respectively, will receive $261 million, Highway Systems Construction $205 million, and Operations/Maintenance $254 million. It makes sense when $883 million in projected revenue for FY2026 comes from user-based fees, permits, and gas tax revenues (set to be 40 cents per gallon in 2026). On the other hand, UDOT-funded mass transit receives a bulk of its budget from the above-mentioned Transportation Investment Fund—35% of the index fuel tax sales tax goes into the Transit Transportation Investment Fund. For FY2026, transit and commuter rail projects will receive $103 million. John Gleason, UDOT's Sr. Public Information Officer, said there is a major shift happening within UDOT over the last decade-plus to give some "gas" to other forms of transportation. "All transportation is important to us. For every project we undertake, we are looking at the different components across all modes—cars, transit, bikes, trails," Gleason said. "We need to keep an eye on how the entire transportation system can function across the state." The words and shift in priorities are welcome, but what "Keeps Utah Moving", will not be more highway lanes or highway construction that receives the lion's share of transportation funding. Utah highways, like those in so many other states, are the victims of induced demand. The phenomenon is a matter of economics. For vehicle transportation, each lane added, highway developed, or road widened helps to expand capacity on these newly modified transportation corridors. However, expanding capacity does not mean solving traffic concerns. While capacity expands, more people are "induced" to use these freshly expanded corridors, lanes fill back to capacity, and commutes return to their sluggish nature. This never-ending quest to meet our transportation needs is set to play out again on I-15. UDOT is set to add another lane on I-15 from Farmington to Salt Lake, and do so at a multi-billion-dollar price tag. Surely this lane will be "The One" that fixes the traffic problem on Utah's busiest transit corridor? Utah may still be adjusting to roundabouts, but will we ever get out of this circle?

Limitless Sky

By Brad Fullmer • August 1, 2025
Standing atop the now-tallest building in Utah—the dynamic 451-foot, 680,000-SF Astra Tower in downtown Salt Lake City—Lance Shields was succinct in describing the otherworldly, 360-degree views available from the 41st-floor rooftop patio. “Pretty amazing, isn’t it?” mused Shields, a Principal with Salt Lake-based HKS Architects and one of a half-dozen architects on HKS’ team who contributed to the design of Astra Tower, which features 377 total units, two levels of penthouse suites, and more than 40,000-SF of top-shelf amenity space. Peering southeast to majestic views of the Wasatch Mountains, Shields referenced the striking cantilever structure gracing the building’s southeast corner—a concession that preserved the breathtaking view by eliminating what would have been a structural column. Adding this approximately $2 million change to the bottom line only further illustrated the owner’s desire for a world-class luxury apartment tower. “The uninterrupted views of the valley are really breathtaking at the top floor and is the one thing that visitors I have taken through the project consistently comment on as the best experience they have had,” said Shields, adding that it would have been easy to justify a column in that corner. “I have to hand it to the vision of our team and the owner to see the value of the views and taking steps to preserve it.” Indeed, Boston-headquartered Kensington Investment Company (KIC) had been eyeing the Salt Lake market since 2017, ready to make a splash. In 2018, it purchased the site once home to Carl’s Jr. and hired HKS in 2019 to get the ball rolling on the design side. The pandemic forced KIC to pause its timeline, with construction formally kicking off in January 2022, led by Salt Lake-based Jacobsen Construction. “We were taking an enormous risk and writing a massive check while making sure we had as many people with experience on our team as we practically could,” said Ed Lewis, CEO of KIC. “We asked ourselves if Salt Lake City was ready for this kind of product—with no [like-building comparisons] to look to—while making the project financially successful. Putting together the capital stack with no comps in the state, and ensuring the team knew what they were doing, was challenging.” Engagement with the community was a priority from the start, said Shane Rensmon, President of Real Estate Development for KIC, as was finding local A/E/C firms with the moxie to take on a unique hybrid design-build project of this magnitude, a delivery method “not common in Salt Lake City, but common across major markets,” he said. “Ownership wanted to utilize local consultants and vendors as much as possible to get the community involved and engaged with the project, which presented new challenges in designing and constructing Astra Tower,” said Rensmon. “We leveraged [KIC’s] skills and experiences to help guide the design and construction teams on issues that they have not seen before or had little to no experience in.” Hotel-like Vibe with Unmatched Amenities Emir Tursic is no stranger to massive projects, having cut his teeth in the hospitality realm as a draftsman-turned-project architect for HKS on Block A of the enormous $10 billion MGM City Center project in Las Vegas from 2007-2008, which included the 61-story, 600,000-SF Aria Hotel. “It was a project I grew up very quickly with,” recalled Tursic, Office Director for HKS’ Salt Lake office, who ended up managing part of the project before it ended. “After this, I could go to the moon and not be scared of anything.” Even amidst the challenges for Tursic and his team, Astra Tower proved to be one of the most exciting, generational opportunities in the realm of world-class residential high-rise design that—ho-hum—also sets a record as the state’s tallest-ever building. “We wanted to create a sustainable urban community that focuses on wellness and sustainability,” said Tursic. “Sustainability is not just about energy and carbon footprint, it’s also [about] health and wellness and the environment. We have this huge amenity program—40,000 SF of indoor and outdoor amenities space focused on physical and mental health.” Tursic said dispersing major amenities across three building levels was a key functional design consideration. Level 8 kicks things off with an expansive club lounge that includes a demonstration kitchen and entertainment area, a state-of-the-art fitness center where views overlook Gallivan Plaza, a remote office space with a conference room and meeting rooms, and what Tursic calls “The bonus space”—an expansive 10,000 SF outdoor urban park. “Instead of a roof on top of the eight-story parking structure, we created a space with an outdoor lawn, hammocks, fire pits, grills—it’s a great social space for Astra’s residential community,” he said. Level 23 includes the outdoor pool and indoor spa, highlighted by a wellness center, steam room, sauna, recovery spas, treatment rooms, and private locker rooms. The pool deck overlook offers excellent views of the Oquirrh Mountains to the west. Level 41 tops the amenity spaces—literally—with an outdoor kitchen, entertainment area, and a spacious outdoor viewing deck that looks down on Salt Lake’s adjacent tallest buildings. “We wanted to provide a variety of experiences,” said Tursic. “The 41st floor is meant for quiet and solitude.” ROAM Interior Design of Los Angeles provided interior design on every level. "With Astra Tower, we set out to design interiors that reflect both the soul and natural beauty of Utah, infused with the energy of modern city living," said Deanne Teeter, Design Director at ROAM. “Every amenity—from the tranquil spa on the 23rd floor to the rooftop lounge with panoramic views—is intentionally crafted to foster wellness through biophilic connection and a true sense of home in the sky." “Astra Tower was purposefully designed to exemplify KIC's commitment to o perating market-leading apartment buildings, featuring state-of-the-art amenities and an unwavering dedication to service excellence,” said Joe Bird, Vice President of Real Estate Development for KIC. “This intentional design ensures an unparalleled living experience, blending sophisticated facilities with exceptional resident-focused service to set a new standard for urban residential excellence in Utah.”

One for the Ages

By Brad Fullmer • August 1, 2025
Ralph L. Wadsworth watches demolition activity on the I-80/1300 East Bridge Slide in August 2023 with granddaughter, Bradynn Wadsworth (Tod’s daughter), illustrating his genuine passion for construction. (all photos courtesy RLW Construction)

Community First

By Taylor Larsen • August 1, 2025
First. Best. Leader. These are some of the many positive ways people described the late Marshall White, the civic hero and namesake of Ogden's past and future community centers. Marshall White is remembered as the first black police officer in Utah killed in the line of duty after being fatally shot in 1963. Equally important was his dedication to other causes outside of police work: the loving father of seven children; veteran and military doctor who helped establish a clinic at Hill Air Force Base post-WWII; youth mentor who partnered with the Elk's Club to establish the Wall Avenue Recreation Center; President of the Ogden chapter of the National Association for the Advancement of Colored People. Marshall White embodied community, and the original Marshall White Community Center, constructed five years after he died in 1968, was its physical manifestation. The building became a safe haven for youth, especially those with darker skin and different ethnicities from those of Utah "pioneer" ancestry, to learn to swim, take art classes, and participate in sports. But as time passed, the building fell into disrepair as Ogden's population shrank from the 1970s through the 1980s. Structural issues in the building appeared before a crack in the pool grew into a metaphorical chasm as COVID and its effects further disconnected society. Ogden needed champions who would follow in White's footsteps to bring people together, and create a space that would continue his community-building legacy. New Center; Relit Community Beacon Salt Lake-based VCBO was hired in 2020 to evaluate the old facility and propose future alternatives. It began, as VCBO Principal Brent Tippets described, "to replace a failing pool and building. […] It quickly became apparent that this community revolved around the Marshall N. White Community Center as both a gathering space and a historical icon for all minorities and people of humble circumstances." "Budget is always a challenge, but perhaps meeting all the affected parties' expectations was more so," said Tippets. "What was originally a pool and gymnasium replacement became a versatile destination with a plethora of participation options. He and the VCBO team worked with an Ogden City-appointed steering committee of passionate residents who provided valuable input on the importance and utilization of recreation and community spaces. "The Mayor, City Council, and City administration were committed to funding the project at the required level to achieve the grander vision for the facility," said Tippets. The Ogden City Council initially set aside $18 million and later increased the budget to $32 million for a new, 68,900-SF community building, doubling the size of the previous structure. Construction Challenges But challenges arose as soon as excavation commenced. Construction teams led by Vernal-based BHI encountered a dark, organic-looking soil that was previously undiscovered in geotechnical test borings. The surprise soil raised immediate concerns due to its lack of stability and reliability in compaction. BHI's history as an industrial contractor, where safety and lightning-fast communication are treasured, escalated the soil problems immediately. They collaborated and aligned with ownership, geotechnical engineers, and designers amidst evolving conditions to create a plan. Instead of utilizing native soils as initially planned, excavation teams removed the unsuitable material and imported structural fill from Ogden and nearby Plain City to meet compaction and bearing requirements, all while maintaining oh-so-important project momentum. "Working with Ogden City involved a different set of communication and coordination protocols than our typical projects," said BHI Superintendent Scot Marrot. "There was a greater emphasis on public transparency and adherence to specific city regulations. However, it was incredibly fulfilling to collaborate with the city officials who were passionate about providing a valuable resource for their community. The partnership fostered a strong sense of shared purpose and pride in the final outcome."

Daybreak: Then and Now

By Taylor Larsen • August 1, 2025
Thoughtful consideration on Oquirrh Lake transformed the initial idea for the water feature into a community and ecological asset. The 67-acre lake weaves around the 130-acre recreation space, residential area, and wildlife habitat. (Main rendering and photo pictured courtesy LHM)